Five Thursday Sessions
6:00-8:00pm EST
Dates: 11/12 – 12/17 (OFF 11/26)
Manuscript Course
It’s become the conundrum in literary adventures to make a clear distinction in a memoir between what’s true and what’s made up. But memoir—the form itself—can be as various, wild and eclectic as the individual who setting their life to the music of life sentences. Anything goes, if it moves the reader. And besides, truth, of so I feel, is relative when talking about art.
There are many ways of negotiating that truth in writing the essay or its longer form, the memoir. “It’s all in the art, you don’t get credit for living,” V.S. Pritchett famously said. And so, the strategy for any autobiographical writing, is to raise the stakes and write about one’s life not merely as something alive, but as something mysterious to be celebrated.
Participants will bring new and/or revised work to share every week to a supportive and constructive meeting space which will include an ongoing discussion not only about how your truth is the only one that matters in your writing, but also how to organize ideas on the page and how revision, syntax, and even writing off the subject, or free writing, can help to bring the writing to life. In addition, we will also read a selection of work by writers who are considered vital in the creative non-fiction field.
